Woolf in the World: A Pen and a Press of Her Own
Orlando
After
much deliberation about the wording, Virginia Woolf dedicated Orlando to “V. Sackville-West.” Woolf’s fanciful biography
of a woman writer traced through four centuries of English literary
history is based on the life of Woolf’s lover, Vita Sackville-West.
Orlando begins in the Renaissance and ends in 1928 with an airplane
rushing out of the clouds. Vita’s book on Knole and the Sackvilles
(1922) provided Virginia with background information. Three photographs
of Vita illustrate the text.
Virginia Woolf. Orlando: A Biography. London: Hogarth
Press, 1928.
Inscribed on the free endpaper by the author to “Lytton from Virginia,
10th Oct 1928.”
Woolf began writing Orlando in 1927 and by March 1928 a first draft was complete. By the time the page proofs had been revised for the American edition, Woolf had corrected eighty typographical errors and made over six hundred substantial changes in the text, some of which are seen here in Woolf’s violet-colored ink.
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Inscribed by the author to Crosby Gaige.
Orlando first appeared in the United States on 2 October 1928 in a limited edition
of 861 copies published by Crosby Gaige, which also included fifteen
deluxe copies on green paper. Examples of both limited editions are
on display. The Hogarth Press edition appeared on 11 October 1928, the
day on which Orlando ends. Lytton Strachey’s copy is seen above
with a dust jacket. Harcourt Brace published its edition on 18 October
1928, from stereotype plates made from the type set for Gaige’s
limited edition. Orlando quickly became a best seller, and many editions
followed, including a Penguin paperback in 1946, with a cover design
by George Salter.
Virginia Woolf. Orlando: A Biography. New York: Penguin, [1946]. Cover design by George Salter. Presented by Elizabeth P. Richardson ’43.
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| Virginia Woolf.
Orlando: A Biography. New York: Crosby Gaige, 1928. Number 755 of 800 copies signed by the author. |
Virginia Woolf Orlando:
A Biography. New York: Crosby Gaige, 1928. One of the deluxe copies printed on green paper. |
While Virginia was working on Orlando, she wrote to Vita on 9 October 1927: “suppose Orlando turns out to be Vita; and its all about you and the lusts of your flesh and the lure of your mind... suppose there’s the kind of shimmer of reality which sometimes attaches to my people, as the lustre on an oyster shell.”
Virginia Woolf. Letter to Crosby Gaige, 29 October 1928.
Presented by Frances Hooper ’14.
Mortimer Rare Book Room, Smith College
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