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Woolf in the World: A Pen and a Press of Her Own
Roger Fry
According
to Woolf’s opening address at the memorial exhibition of Roger Fry’s
paintings at Bristol Museum and Art Gallery on 12 July 1935, Fry had a
“rare mixture of logic and sympathy that made him so invigorating
a critic ... And because he painted himself he was perpetually forced
to meet with his own brush those problems with which he was dealing with
his pen.”
The last book Virginia Woolf saw into print before her death, Roger Fry, is her one serious full-length biography. “I can’t help thinking,” she concluded, in spite of her difficulty in putting her theories of biography into practice, “I’ve caught a good deal of that iridescent man in my oh so laborious butterfly net.” Some of Woolf’s reading notes about Fry’s Quaker family background are on display, as well as one of Fry’s books for the Omega Workshops, which he founded in 1913.
Virginia Woolf. Roger Fry. London: Hogarth Press, 1940. The portrait of Fry on the dust jacket is by Vanessa Bell. Presented by Frances Hooper ’14.
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Virginia Woolf. Roger Fry Memorial Exhibition:
corrected typescript (carbon), [1935].
Presented by Frances Hooper ’14.
As
was her custom, Woolf alternated between writing nonfiction and fiction,
working on Roger Fry and Between the Acts simultaneously in 1938. She
was also writing her autobiography, “A Sketch of the Past.”
Woolf began her research within a month of Fry’s death (9 September
1934) and the project took five years to complete. Roger Fry was published
on 25 July 1940, six months after Woolf’s fifty-eighth birthday
and eight months before her death.
Leonard Woolf, Virginia Woolf, Margery Fry, and Roger
Fry in Athens:
photograph (modern print), May 1932.
Titus Lucretius Carus. Lucretius on Death.
London: Omega Workshop, 1917.
Cover designed by Roger Fry and executed by Dora Carrington.
Presented by Elizabeth P. Richardson ’43.
Mortimer Rare Book Room, Smith College
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