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Book Jackets with Original Artwork
Charles Skaggs wrote that when he arrived in New York
City in 1945, it seemed to him “that two of every three trade book jackets
used calligraphy to some extent—even if only to display the title and
author.” The Skaggs Collection contains hundreds of original book jackets,
preserved in virtually pristine condition. Some are available online
here to accompany this exhibition.
There is also some original artwork by Skaggs for these jackets, a selection
of which is shown here.
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Great Essays
Houston Peterson, ed. New York: Washington Square Press, 1960 Charles
Skaggs designed many books and bindings for Wasington Square Press.
Here are two designs for the same title: one as original art (l)
and one in printed form on the paperback cover (r).
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A History of the Modern World
R. R. Palmer
New York: Alfred A Knopf, c. 1950
Palmer’s world history was printed in a number of editions from
1950 until the 1970s. A book jacket for this title is shown here
along with a sheet of original lettering by Skaggs. Skaggs provided
all the words used on the book jacket, but wrote them so they fit
on the page; of course, they were photographed and rearranged for
use on the printed book jacket. The use of lettering or calligraphy
on book jackets in the 1940s through the 1960s was quite common,
sometimes as the only lettering and sometimes in combination with
printed typefaces. |
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The Black Prince and Other Stories
Shirley Ann Grau
New York: Alfred A. Knopf, 1954 This original
drawing and lettering (left) by Skaggs is marked by him on the back
“Knopf Feb, 54 (NOT USED)”. However, the published book jacket
(below), with author portrait, states: “Jacket, typography, and
binding design by Charles E. Skaggs.” |
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