Smith College
    Laurie Fenlason
    Media Relations Director
    T (413) 585-2190
    F (413) 585-2174
Office of College Relations
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Northampton, Massachusetts 01063
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April 2, 2003
FOR IMMEDIATE RELEASE

ART AT EVERY TURN

In Smith College's Newly Renovated Museum,
Even the Restrooms Are Works of Art

Editor's note: Images of the artist-designed restrooms are available. Contact Laurie Fenlason at (413) 585-2190 or lfenlason@smith.edu. An online press kit about the Brown Fine Arts Center, which includes the Smith College Museum of Art, can be found at www.smith.edu/bfac.

NORTHAMPTON, Mass. -- When the Smith College Museum of Art reopens to the public on April 27, after a two-year renovation and expansion, staff members expect "Where are the restrooms?" -- one of the most commonly asked question at museums -- to take on even greater significance, thanks to a new pair of artist-designed and -installed restrooms that are attracting wide attention.


"We're already receiving inquiries about these unusual works of art and are exploring how to allow access to both the women's and men's rooms," explains Curator of Paintings and Sculpture Linda Muehlig.


The men's and women's rooms, created by noted artists Sandy Skoglund and Ellen Driscoll, respectively, intentionally blur the boundaries between form and function as well as personal and public space. Located on the museum's lower level off an exhibition gallery, the restrooms are permanent art installations that are part of the museum's collection.

 

The Women's Room: "Catching the Drift"


Driscoll's women's room, titled "Catching the Drift," is a serene immersion in an underwater world. With a predominant palette of shades of blue, the room includes imagery drawn from Smith's distinguished art collection. Set into the blue-tiled walls are glass panels finely etched with images of protozoa, nets, waves and works of art. Fabricated in Germany by the firm that created Driscoll's noted glass mosaic murals for Grand Central Station in New York, the glass panels are "translucent optical windows or doors into the watery world beyond the architecture," Driscoll explains. The underwater imagery is also echoed in the sinks and other fixtures.

The Men's Room: "Liquid Origins, Fluid Dreams"


In contrast to Driscoll's blue world of water, Skoglund's men's restroom is a visual blizzard of black and white that Skoglund, who graduated from Smith in 1968, hopes will intrigue startled visitors into a closer look at the images on each tile. Titled "Liquid Origins, Fluid Dreams," the work features ten detailed drawings of stories of transformation and creation from folklore from different cultures. The tiles with these narrative images are repeated in a specific pattern with other tiles containing drawings of large, tear-like drops. The droplets are continued in the restroom fixtures, where they enclose tiny human forms, a reference to a creation theme from Egyptian mythology.


The Smith restroom project was inspired by the artist-designed restrooms at the John Michael Kohler Arts Center in Sheboygan, Wis., directed by Ruth DeYoung Kohler, a 1963 Smith graduate and recipient of the Smith Medal. Skoglund and Driscoll both held residencies at the Kohler's Arts/Industry program, which enabled them to have their unique designs fired onto restroom fixtures in the large, industrial kilns at the Kohler Co. factory. The museum restrooms are underwritten by a grant from the Kohler Trust for the Arts and Education. In addition, Kohler Co. donated all of the plumbing fixtures and fittings for the museum, art department and art library, which jointly occupy the college's new Brown Fine Arts Center.


In the fall, the museum's restrooms will be highlighted in an exhibition about domestic spaces titled "Undomesticated Interiors." This exhibition, which includes sculpture and room-sized installations, will be accompanied by a second exhibition titled "Photographing Undomesticated Interiors." The shows will center on the theme of domestic interiors and implements, as interpreted and imagined by a host of contemporary artists. Featured in the "Undomesticated Interiors" show is Sandy Skoglund's "Revenge of the Goldfish" installation, a blue bedroom dream scene overrun by ceramic goldfish, which was purchased by the museum after the artist's retrospective at Smith in 1998.


When the museum reopens, the restrooms will not be the only new works of functional art. A group of 11 commissioned fine-art benches, primarily made of wood, by outstanding New England artists, will be used in the galleries for seating. They will also be featured in a special summer exhibition titled "Sit Up & Take Notice! A Gathering of Artist Benches."


The renovation of the college's former art facilities began in the fall of 2000, under the direction of Polshek Partnership Architects of New York City. The $35-million renovation project upgraded the entire 1972 building, including its art department, art library and museum.


Following a grand reopening on April 27, the museum will be open every day except Mondays and major holidays. The museum's hours through May 25, 2003, are Tuesday, Thursday, and Friday 9-5; Wednesday, 9-9; Saturday, 9-5; Sunday, noon-5. For summer hours, group tours, school tours or general information, call (413) 585-2760. Admission is free and open to the public. The Brown Fine Arts Center is located at Elm Street and Bedford Terrace.


Smith College is consistently ranked among the nation's foremost liberal arts colleges. Enrolling 2,800 students from every state and 55 other countries, Smith is the largest undergraduate women's college in the country.

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