13 ABOVE: Scott Gilman, Smith Spatial Analysis Lab (SAL) post-baccalaureate fellow (standing, left) and Jon Caris, director, SAL, lead a members’ program on interactive learning. From February to September 2016, the Spatial Analysis Lab collaborated with SCMA to produce an online complement to the museum’s exhibition When in Rome: Prints & Photographs, 1550 – 1900. The online exhibition was created using Esri Story Maps, a platform that allows users to combine web maps with other media such as text, images and videos. The exhibition consisted of an Esri Story Map displaying the locations of monuments depicted in the exhibition. Displayed on a touch- screen in the gallery, the Story Map depicted the location of featured monuments and allowed users to see digital images of objects in the exhibition depicting that monument and read about the work and artist. The project proved to be a learning opportunity for many of us at the SAL. Two students, Karen Yu ’16 and Tanvi Kapoor ’17, georeferenced the 1748 Nolli map of Rome and overlaid it on a modern-day street map, then located each monument depicted in the exhibition and pinpointed the approximate perspective point for each image in the exhibition. Through adapting the Story Map Journal template for a touchscreen and customizing navigation features, we learned a great deal about how to customize the Story Maps template. The project also challenged our understanding of what a map is in the digital, what it means to practice cartography, and how what we do in the SAL intersects with digital humanities. — Scott Gilman, Post-Baccalaureate Fellow, Smith College Spatial Analysis Lab WHEN IN ROME: INTERACTIVE LEARNING asked me to give a keynote lecture connected to the exhibition; in that context, I spoke about Vasi’s panorama, on which I am writing a book. From many points of view, then, collaboration between SCMA and Yale bore fruit in both teaching and scholarship. The hard work and patience of colleagues in both institutions made this unusual and productive opportunity possible, and I would like to give a special shout-out to a distinguished Smith alumna, Suzanne Boorsch ’58, Robert L. Solley Curator of Prints and Drawings at Yale, whose enthusiasm, engagement and support were invaluable.