This structure was named
by the early Spanish explorers “La Casa de Las Monjas”
or “The Nunnery.” While scholars still debate the original
function of the building, most are now convinced that it did not
serve as a convent. The most imposing icons on this façade
are the stacks of masks running up the wall (far right) representing
the god Chac, the ancient god of rain important to the people of
Uxmal.
When Catherwood first viewed this site during his 1839 expedition,
he was clearly impressed. The carvings in this drawing contain
an exceptional amount of detail. Carved figures leap from the
rest of the picture, especially in contrast to the lack of detail
in objects and people closer to the viewer. In fact, Catherwood's
depiction of the site seems to emphasize this structure and place
it above the world of the present day, including the present-day
Maya (none of whom are drawn to engage the viewer more than the
site itself does).
As we can see from a photograph of the Nunnery taken by archeologist
and photographer Joseph Désiré Charnay in 1863 (24
years later), Catherwood enhanced the detail of the carvings by
drawing them much more clearly than they would have appeared to
him. In Charnay’s photographs of the Nunnery one can see
that the building is not as pristine and free of decay as Catherwood’s
romanticism would suggest. [Spanish
version].
KARI STRICKLAND |